Position:
Professor of Musicology at Lynn University
Location:
West Palm Beach, Florida Area
Work:
Lynn University
- Boca Raton, FL since Sep 2005
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Professor of Musicology
Harvard University
- Harvard University Jan 2000 - Mar 2005
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Director of Special Projects
The Radcliffe Seminars at Harvard University
- Harvard Yard, Cambridge, MA Sep 1986 - Jun 2000
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Music faculty
University of London Goldsmiths' College
1976 - 1984
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Music Faculty
Education:
Trinity College of Music, London
ATCL; LTCL, Piano performance
University of London
B.Mus, M.Mus, PhD, Musicology and Music Theory
Skills:
Higher Education, Music, Classical, Teaching, Musicology, Non-profits, Public Speaking, Community Outreach, History, Literature, Chamber Music, University Teaching, Program Management
Interests:
classical music performance, theory and aesthetics
Honor & Awards:
Fran Steinberg Memorial Prize for outstanding non-fiction; Princess Helena Victoria Medal, Trinity College of Music London; National Endowment for the Humanities; Who's Who in Higher Education; Who's Who in Women in Education; Biltmore Who's Who
Awards:
Kathleen Cheek-Milby Endowed Faculty Fellowship
Lynn University
The Kathleen Cheek-Milby Endowed Faculty Fellowship is awarded to a full-time faculty member for professional development, such as teaching and research, abroad for upto six months. I was first recipient of the award and spent two weeks giving lectures in London at University of London Goldsmiths' College and at the Guildhall School of Music and Drama and then for thye spring semester in Israel, teaching graduate musicology courses at Bar Ilan University and Hebrew University in Jerusalem.
Music Research Fellow
School of Advanced Studies, University of London
The Institute for Musical Research, as part of the School of Advanced Studies, awarded a Fellowship to pursue cutting edge research in music theory. This new approach emerged out of the work in my recent book 'Lebewohl': Reconstructions of Death and Leave-taking in Music, published March 2013 by Pendragon Press. Modeled on contemporary physics, it adopts a new paradigm in descriptions of music as alternative realities.